"An Audience with Muhammad Ali"

Muhammad Ali (born Cassius Marcellus Clay, Jr.; January 17, 1942) is an American former professional boxer, philanthropist and social activist. Considered a cultural icon, Ali has both been idolized and vilified.

Originally known as Cassius Clay, at the age of 22 he won the world heavyweight championship from Sonny Liston. Ali changed his name after joining the Nation of Islam in 1964, subsequently converting to Sunni Islam in 1975. In 1967, three years after Ali had won the heavyweight championship, he was publicly vilified for his refusal to be conscripted into the U.S. military, based on his religious beliefs and opposition to the Vietnam War. Ali was eventually arrested and found guilty on draft evasion charges; he was stripped of his boxing title, and his boxing license was suspended. He was not imprisoned, but did not fight again for nearly four years while his appeal worked its way up to the U.S. Supreme Court, where it was eventually successful.
Ali would go on to become the first and only three-time lineal World Heavyweight Champion.
Nicknamed "The Greatest", Ali was involved in several historic boxing matches. Notable among these were three with rival Joe Frazier, which are considered among the greatest in boxing history, and one with George Foreman, where he finally regained his stripped titles seven years later. Ali was well known for his unorthodox fighting style, epitomized by his catchphrase "float like a butterfly, sting like a bee", and employing techniques such as the Ali Shuffle and the rope-a-dope. Ali brought beauty and grace to the most uncompromising of sports and through the wonderful excesses of skill and character, he became the most famous athlete in the world. He was also known for his pre-match hype, where he would "trash talk" opponents, often with rhymes.Read more

"Succeeds more than any previous book in bringing Ali into focus . . . as a starburst of energy, ego and ability whose like will never be seen again." —The Wall Street Journal

"Best Nonfiction Book of the Year" —Time

"Penetrating . . . reveal[s] details that even close followers of [Ali] might not have known. . . . An amazing story." —The New York Times

On the night in 1964 that Muhammad Ali (then known as Cassius Clay) stepped into the ring with Sonny Liston, he was widely regarded as an irritating freak who danced and talked way too much. Six rounds later Ali was not only the new world heavyweight boxing champion: He was "a new kind of black man" who would shortly transform America's racial politics, its popular culture, and its notions of heroism.

No one has captured Ali--and the era that he exhilarated and sometimes infuriated--with greater vibrancy, drama, and astuteness than David Remnick, the Pulitzer Prize-winning author of Lenin's Tomb (and editor of The New Yorker). In charting Ali's rise from the gyms of Louisville, Kentucky, to his epochal fights against Liston and Floyd Patterson, Remnick creates a canvas of unparalleled richness. He gives us empathetic portraits of wisecracking sportswriters and bone-breaking mobsters; of the baleful Liston and the haunted Patterson; of an audacious Norman Mailer and an enigmatic Malcolm X. Most of all, King of the World does justice to the speed, grace, courage, humor, and ebullience of one of the greatest athletes and irresistibly dynamic personalities of our time.

"Nearly pulse-pounding narrative power . . . an important account of a period in American social history." —Chicago Tribune

"A pleasure . . . haunting . . . so vivid that one can imagine Ali saying, 'How'd you get inside my head, boy?'" —Wilfrid Sheed, Time

Muhammad Ali. He is known as the most thrilling athlete of all time... he is known as The Greatest. The remarkable story of how he became one of the most loved, hated, intriguing, and controversial figures in American history is brought to life in the 6-hour series, Muhammad Ali: The Whole Story.
You will follow Muhammad Ali from his days as Cassius Clay growing up in Lousiville, Kentucky, to the pinnacle of his amateur career as the light-heavyweight gold medallist in the 1960 Rome Olympics. You will witness Ali's stunning victory over Sonny Liston to become the youngest Heavyweight Champion of the World and then experience his painful struggle to regain his title--a title taken from Ali because his religious beliefs precluded him from entering the Vietnam War. His is a story which fascinates both sports and non-sports lovers alike.

Muhammad Ali: The Whole Story contains 3 hours of exclusive footage of all Ali's greatest and most important fights. You will be ring-side for his famous battles with Ken Norton, "The Rumble in the Jungle" with George Foreman, and the "Thrilla in Manila" with Jor Frazier... it's a boxing fan's dream come true. This unique documentary chronicles the life of a man who, through his amazing athletic talent, brash and outspoken personality, courage, and personal convictions, not only changed the world of sports but the entire world around him. Muhammad Ali: The Whole Story will be one of the most talked about collector's series of all time.

American Drug War: The Last White Hope: Pre Release Cut

The War on Drugs has become the longest and most costly war in American history, the question has become, how much more can the country endure? Inspired by the death of four family members from "legal drugs" Texas filmmaker Kevin Booth sets out to discover why the Drug War has ...

"War on Drugs" is a term commonly applied to a campaign of prohibition and foreign military aid and military intervention undertaken by the United States government, with the assistance of participating countries, and the stated aim to define and reduce the illegal drug trade. This initiative includes a set of drug policies of the United States that are intended to discourage the production, distribution, and consumption of illegal psychoactive drugs. The term was first used by U.S. president Richard Nixon, and was later popularized by the media.
On May 13, 2009, Gil Kerlikowske, the current Director of the Office of National Drug Control Policy (ONDCP), signaled that although it did not plan to significantly alter drug enforcement policy, the Obama administration would not use the term "War on Drugs," as he claims it is "counter-productive". ONDCP's view is that "drug addiction is a disease that can be successfully prevented and treated... making drugs more available will make it harder to keep our communities healthy and safe."(2011) One of the alternatives that Kerlikowske has showcased is the drug policy of Sweden that seeks to balance public health concerns with opposition to drug legalization. The prevalence rates for cocaine use in Sweden are barely one-fifth of European countries such as the United Kingdom and Spain.
In June 2011, the Global Commission on Drug Policy released a critical report on the War on Drugs, declaring "The global war on drugs has failed, with devastating consequences for individuals and societies around the world. Fifty years after the initiation of the UN Single Convention on Narcotic Drugs, and years after President Nixon launched the US government’s war on drugs, fundamental reforms in national and global drug control policies are urgently needed." The report was criticized by organizations that oppose a general legalization of drugs.




American Drug War: The Last White Hope
The subject of America's love for mind-altering substances (legal and illegal) is broad and deep enough to provide material for a dozen documentaries, but Kevin Booth does an excellent job of putting together a coherent two-hour film that takes on several aspects of the drug war. I got this movie two weeks ago in the mail and since then have been trying to make every friend and family member watch it.

That there are over a million non-violent people in jail and prison in this country because of the drug war is beyond absurd. But here we are. And there they are. And only a few politicians dare to question the rationality of criminalizing the very human impulse to feel good. Why? Among other reasons: The money that the prison-industrial complex and the alcohol, tobacco and pharmaceutical industries lavish on politicians ... and the cut of the action that Wall Street and the gov't takes from the illegal drug trade.


Dark Alliance is a book that should be fiction, whose characters seem to come straight out of central casting: the international drug lord, Norwin Meneses; the Contra cocaine broker with an MBA in marketing, Danilo Blandon; and the illiterate teenager from the inner city who rises to become the king of crack, "Freeway" Ricky Ross. But unfortunately, these characters are real and their stories are true.
In August 1996, Pulitzer Prize-winning journalist Gary Webb stunned the world with a series of articles in the San Jose Mercury News reporting the results of his year-long investigation into the roots of the crack cocaine epidemic in America, specifically in Los Angeles. The series, titled "Dark Alliance," revealed that for the better part of a decade, a Bay Area drug ring sold tons of cocaine to Los Angeles street gangs and funneled millions in drug profits to the CIA-backed Nicaraguan Contras.
Now Gary Webb has pushed his investigation even further in his book, Dark Alliance: The CIA, The Contras, and the Crack Cocaine Explosion. Drawing from recently declassified documents, undercover DEA audio and videotapes that have never been publicly released, federal court testimony, and interviews, Webb demonstrates how our government knowingly allowed massive amounts of drugs and money to change hands at the expense of our communities.

Once in a great while a book comes along that changes the way we see the world and helps to fuel a nationwide social movement. The New Jim Crow is such a book. Praised by Harvard Law professor Lani Guinier as "brave and bold," this book directly challenges the notion that the election of Barack Obama signals a new era of colorblindness. With dazzling candor, legal scholar Michelle Alexander argues that "we have not ended racial caste in America; we have merely redesigned it." By targeting black men through the War on Drugs and decimating communities of color, the U.S. criminal justice system functions as a contemporary system of racial control—relegating millions to a permanent second-class status—even as it formally adheres to the principle of colorblindness. In the words of Benjamin Todd Jealous, president and CEO of the NAACP, this book is a "call to action." Called "stunning" by Pulitzer Prize–winning historian David Levering Lewis, "invaluable" by the Daily Kos, "explosive" by Kirkus, and "profoundly necessary" by the Miami Herald, this updated and revised paperback edition of The New Jim Crow, now with a foreword by Cornel West, is a must-read for all people of conscience.

What Ever Happened to Hip Hop (Documentary)

Who Killed Biggie? Davey D intv w/ Sullivan & Poole abt the book LAbyrinth

Formerly a united front of artists, Death Row's roster fractured into separate camps. Daz, now head producer, worked on Snoop Dogg's second album Tha Doggfather, which featured Bad Azz and Techniec of his LBC Crew, Warren G and Nate Dogg of his group 213 and Kurupt and Daz of Tha Dogg Pound. 2Pac shut himself into the studio with little-known producers Hurt-M-Badd and Big "D", crafting The Don Killuminati: The 7 Day Theory - unlike All Eyez on Me, it was devoid of high-profile Death Row guest appearances, instead showcasing Shakur's The Outlawz and Bad Azz. Knight was now barely reachable by his staff, and employees were routinely assaulted as punishment for not following orders.

During a trip to Las Vegas for a Mike Tyson fight, Shakur was interviewed on the possibility of Death Row East, an east coast branch of the record label, it was also during this time Alex Roberts and David Kenner had been seen at Knights Vegas Club 662 in discussion about the possibility of having Roberts New York underworld connections help pave the way for Death Row East. Though names from Big Daddy Kane and the Wu-Tang Clan to Eric B. and K-Solo were mentioned, the label would never be formed; three days later, Tupac, Knight and others were caught on surveillance camera at the MGM Hotel-Casino in Las Vegas assailing gang member Orlando Anderson who was a Southside Crip (which was rumored to provide security for Bad Boy Entertainment artists). Later that night, Shakur was shot several times while in a car Suge was driving as they headed to Knight's Vegas Club 662; despite living several days in critical condition, the rapper died on September 13, 1996.

Shakur's "Makaveli 7 Day Theory" was released in November just one week before Snoop Doggy Dogg's "Tha Doggfather". Although both albums went to platinum sales in their first weeks on the shelves the impact on Death Row had started to mount; Knight was convicted of parole violation and sentenced to nine years' prison time, causing Interscope to drop its distribution deal with the label. His control over the label diminished, Nate Dogg was able to leave, followed by Snoop Dogg and Kurupt; after the release of his own and the Lady of Rage's solo albums, Daz and Rage followed suit. Daz would later return in 1999 with Big C-Style to form Dogg Pound Records only to leave again in early 2001. Kurupt returned to the label in 2002 upon Suge Knight's release from prison. The record label was renamed Tha Row. Read more

Policing and corruption are inseparable. This book argues that corruption is not one thing but covers many deviant and criminal practices in policing which also shift over time. It rejects the 'bad apple' metaphor and focuses on 'bad orchards', meaning not individual but institutional failure. For in policing the organisation, work and culture foster can encourage corruption. This raises issues as to why do police break the law and, crucially, 'who controls the controllers'? Corruption is defined in a broad, multi-facetted way. It concerns abuse of authority and trust; and it takes serious form in conspiracies to break the law and to evade exposure when cops can become criminals. Attention is paid to typologies of corruption (with grass-eaters, meat-eaters, noble-cause); the forms corruption takes in diverse environments; the pathways officers take into corruption and their rationalisations; and to collusion in corruption from within and without the organization. Comparative analyses are made of corruption, scandal and reform principally in the USA, UK and the Netherlands. The work examines issues of control, accountability and the new institutions of oversight. It provides a fresh, accessible overview of this under-researched topic for students, academics, police and criminal justice officials and members of oversight agencies.

A former Chicago cop exposes shocking truths about the abuses of power within the city’s police department in this memoir of violence, drugs, and men with badges. Juarez becomes a police officer because he wants to make a difference in gang-infested neighborhoods; but, as this book reveals, he ends up a corrupt member of the most powerful gang of all—the Chicago police force. Juarez shares the horrific indiscretions he witnessed during his seven years of service, from the sexually predatory officer, X, who routinely stops beautiful women for made-up traffic offenses and flirts with domestic violence victims, to sadistic Locallo, known on the streets as Locoman, who routinely stops gang members and beats them senseless. Working as a narcotics officer, Juarez begins to join his fellow officers in crossing the line between cop and criminal, as he takes advantage of his position and also becomes a participant in a system of racial profiling legitimized by the war on drugs. Ultimately, as Juarez discusses, his conscience gets the better of him and he tries to reform, only to be brought down by his own excesses. From the perspective of an insider, he tells of widespread abuses of power, random acts of brutality, and the code of silence that keeps law enforcers untouchable.

Acclaimed journalist Randall Sullivan follows Russell Poole, a highly decorated LAPD detective who in 1997 was called to investigate a controversial cop-on-cop shooting, eventually to discover that the officer killed was tied to Marion “Suge” Knight’s notorious gangsta rap label, Death Row Records. During his investigation, Poole came to realize that a growing cadre of black officers were allied not only with Death Row, but with the murderous Bloods street gang. And incredibly, Poole began to uncover evidence that at least some of these “gangsta cops” may have been involved in the murders of rap superstars Notorious B.I.G. and Tupac Shakur. Igniting a firestorm of controversy in the music industry and the Los Angeles media, the hardcover publication of LAbyrinth helped to prompt two lawsuits against the LAPD (one brought by the widow and mother of Notorious B.I.G., the other brought by Poole himself) that may finally bring this story completely out of the shadows.

Two of the most notorious unsolved cases in the annals of American crime, the murders of Tupac Shakur and Biggie Smalls have been the subject of exhaustive investigations, relentless speculation and a tangled web of rampant rumors, crackpot conspiracies and dark secrets. Now, for the first time, the truth behind these sensational cases is laid bare in Murder Rap, a raw and riveting account of how a dedicated and driven police detective spearheaded the task force that finally exposed the shocking facts behind the deaths of these two rap music icons. Told by Greg Kading, a much-decorated LAPD detective assigned to solve the homicides, Murder Rap unravels a twisted tale of music, money, and murder, finally answering the question of who killed Biggie and Tupac and why. With access to never-before-seen material, including the confessions of those directly involved in the killings, Kading’s spellbinding saga takes readers directly inside the four-year cold case investigation, introduces a cast of unforgettable characters and provides compelling new evidence for its explosive conclusions. A torn-from-the-headlines true crime blockbuster, the scathing revelations of Murder Rap are sure to make headlines all their own.

Davey D Interviews Hip Hop Pioneer and early promoter Van Silk

Hip-hop's foundations were being laid in the 1970s, brick by brick, by DJs in the South Bronx, sometimes even in burnt out or deteriorating buildings. These pioneers invented sampling (isolating one sound and reusing it in another song) and hip-hop's other key elements through trial and error, mostly by fooling around with records at home.

DJ Kool Herc, a.k.a. Clive Campbell, laid the first building block of hip-hop down in 1973. That was when he reportedly hosted a party in his building at 1520 Sedgwick Avenue with a sound system, or sound equipment used to DJ a party. Herc's sound system was a guitar amp and two turntables.

"Kool Herc brought the idea of the Jamaican sound system to America," says Marcus Reeves, journalist and the author of Somebody Scream! Rap Music's Rise to Prominence in the Aftershock of Black Power.

Herc also invented the now commonplace DJing technique of breaks, or breakbeats. He would, for example, play James Brown’s “Give It Up or Turnit A Loose” on two turntables, and would spin one of the records back to the break repeatedly. "His innovation was bringing the breakbeat to the sound of this new movement," Reeves says. "He would just kind of drop a needle on the record, and just kind of go back and forth."

DJ Afrika Bambaattaa, who formed the famous non-violent hip-hop crew Universal Zulu Nation in the Bronx, used DJ Kool Herc's breakbeats in his own DJing. "Then you would have innovators of that sound, like Afrika Bambaataa, who would take global sounds like West Indian music, salsa music, great beats from rock records," Reeves says." Bambaattaa may be best known for his 1982 song "Planet Rock," which samples an electronic piano sound from the German group Kraftwerk.

Grand Wizzard Theodore, a.k.a. Theodore Livingston, also incorporated breakbeats into his music in the Bronx. And he added another technique to the hip-hop toolbox: scratching. Grand Wizzard Theodore reportedly invented the technique (when DJs move records back and forth while they are playing) in his bedroom; while talking to his mother one day, he started moving a playing record back and forth. "He thought it would be a great percussive sound to add to the arsenal," Reeves says.

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Hip hop first became a part of the mainstream music industry in the early 1980s, when major record labels released albums from such accessible groups as Run DMC and the Sugarhill Gang. But the true origins of one of the most powerful pop-cultural influences in the world are in the spontaneous, progressive musical culture that grew out of tough Bronx neighborhoods of the 1970s and led to a renaissance of poetry, music, and fashion.Through years of research, writer and curator Johan Kugelberg has pulled together the scattered remains of a movement that never had its eye on posterity. The book includes the improvisational artwork of previously unpublished street flyers of the era, Polaroids buried for decades in basements across the Bronx, and testimonials from influential figures such as Tony Tone, LA Sunshine, and Charlie Chase. Through the work of pioneering hip-hop photographer Jow Conzo–the man The New York Times calls “the chronicler who took hip hop’s baby pictures”–Born in the Bronx presents a unique introduction to an explosive and experimental period in music history.